Some Principles of Web Composition and Design
Choices of design and structure should follow from the
project's purpose and content.
- Spatial layout of a composition should have a direct
correlation to its cognitive or logical organization
- component parts organized by overall design
Web Hypertext--not linear like print essays. Composer
needs to decide how to split up ideas into components: sections and nodes
within sections.
- Screen can be used as an organizational unit instead
of the paragraph adn the page.
- Link text and annotations emphasize important information
about their Author can't assume all readers will take one specific progression
through the document.
- Graphics and text interact--graphics should enhance text
and vice versa.
- Visual excitement of the "page" carries rhetorical
impact, positive and negative.
Web audiences expect:
- graphics (some but not too much or too big)
- shorter units of information hypertextually linked
- a fluid composition that relies on interconnection of
themes and ideas
Complex hypertexts:
- Sections linked together in a variety of possible paths
allows the reader to go to other parts.
- Usually feature a repeated navigation table of contents
Composers can
- include relevant source materials
- suggest connections between ideas through links
- go on tangents without interrupting flow of main argument
- include playful elements while still achieving a serious
purpose
Some dos and don'ts
DO:
DON'T:
- make the reader scroll down a long page
- insert large or irrelevant graphics and bells and whistles
- make a screen cluttered, confusing, or hard to read
- make off-site links without annotating where it goes
and what the reader might find there
- mistake aesthetic design for analytical content or ignore
aesthetic design. (Make them work together.)
- use "click here" as the link text